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First Day of Summer by Roger Laux Nelson
Photo CreditGSA\Eric Furuglyas
First Day of Summer
Photo CreditGSA\Eric Furuglyas

First Day of Summer

Artist
Year1980
Classification painting
Medium oil on plaster
Dimensions78 x 240 in. (198.1 x 609.6 cm)
Credits Commissioned through the Art in Architecture Program
Fine Arts Collection
U.S. General Services Administration
Location


  • ARTIST STATEMENT:

    This painting, installed May 15, 1980, is the result of several months work — studying the spatial elements of the Federal Building lobby, considering the geographic location and appropriate subject metter, making models and small scale drawings — leading up the the final process of building the structural supports and creating the actual painting.

    Working within the confines of the lobby space, I decided that the shape dimensions and general feeling of scale of the painting should compensate for the low ceinling height while making full use of the distant viewing point upon entry into the building. I needed to optically expand the minimal vertical dimensions, yet create a powerful, large-scale composition which would effectively draw attention away from distracting interior elements (e.g. ceiling tiles, doors, light fixtures).

    In selecting the range of colors for this landscape, to create the proper tone and intensity, I felt it necessary to choose vibrant, pure colors to offset the neutral surroundings and creat a pleasing warmth. I used the natural hues of summer, the season of regeneration, growth and productivity.

    I did not choose, however, to create an exact "photographic" representation of any specific scenic landscape. In order to balance the intensity of color and scale, to create the most dynamic spatial interplay, I used a more abstract suggestion of strong line. This also offered an intensity in terms of movement and perspective — the green "crop" lines pulling the viewer's attention into distant reaches of the horizon, while creating an undulating, waving motion actoss the breath of land, compelling a broad, sweeping, panoramic view. The unusual sense of perspective created by the strong bands of color offers viewers a three-dimensional sensation as they approache the painting from various angles —
    notice the effect as you switch vantage points from center to extreme right or left.

    I feel that I have successfully resolved the many complexities inherent in this type of large-scale production and hope that this painting will be a source of pride for the people of Williamsport thoughout the years.