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Peyote Bird and Symbols by Woodrow Wilson Crumbo
Peyote Bird and Symbols

Peyote Bird and Symbols

Year1940
Classification painting
Medium oil on plaster
Dimensions60 x 36 in. (152.4 x 91.4 cm)
Credits Commissioned through the Section of Fine Arts 1934 -1943
Fine Arts Collection
U.S. General Services Administration
YouTube Video(s) YouTube Video Link
  • Unlike the other murals in his
    series, Peyote Bird and Symbols by
    Potawatomi artist Woody Crumbo is a more stylized and linear composition.
    Conveying an important emblem of the Peyote Religion, the Peyote bird is an
    aquatic spirit bird that represents the renewal of life. Painted from above,
    the bird’s sweeping feathers mirror the tassels and design elements included by
    Crumbo to flank and structure the central image. The Peyote Religion, also
    known as the Native American Church, originated in the territory now called
    Oklahoma and is still in practice today.



    Woodrow Wilson Crumbo, better known as Woody
    Crumbo, was Director of Art at Bacone College in Muskogee, Oklahoma, when he
    traveled to Washington, D.C. to complete his mural series at the new Department
    of the Interior building in 1940. He was one of four Native American artists
    who painted 2,200 feet of murals for the eighth-floor penthouse, which served
    as the employee lounge. While Crumbo painted the south corridor, Zia Pueblo
    artist Velino Herrera covered the north corridor. In the main room, the walls were
    divided between Chiricahua Apache artist Allan Houser and Navajo painter Gerald
    Nailor. The Secretary of the Interior, Harold Ickes, insisted on commissioning
    artwork by Native American artists. Because of this mandate, the Section of
    Fine Arts invited Crumbo, Herrera, Houser, and Nailor to participate in the
    penthouse project and contacted two Kiowa artists, James Auchiah and Stephen
    Mopope, to paint murals for the cafeteria.