Universal Light (Oye Como Va)
Fine Arts Collection
U.S. General Services Administration
Known for creating vibrant representations of sound-wave patterns from music samples, artist Tim Bavington translated the cha-cha-chá classic Oye Cómo Va into this dynamic artwork for the Otay Mesa Land Port of Entry. Originally recorded by Tito Puente in the 1960s, the catchy tune didn’t reach wider audiences until it was included on Abraxas, the rock band Santana’s second album, released in 1970. The color and composition of the sculpture’s glass panels are a visual translation of the guitar solo arranged and played by Carlos Santana in his version of the song. Located outside of the port’s pedestrian building, the artwork is intended to be a positive, colorful, and welcoming experience for travelers entering the United States.