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Art in Federal Courthouses

Many artworks in the GSA Fine Arts Collection are installed in federal courthouses. These civic buildings, whether constructed during the Beaux Arts period or the present day, symbolize the strength and stability of the nation and the American judicial system. Equally significant are the artworks that were commissioned for these stately buildings. The artworks illustrate the broad spectrum of artistic creativity that has flourished in the United States.

During the Beaux Arts period at the turn of the twentieth century, artists sought inspiration from classical antiquity and the Italian Renaissance. Popular themes included traditional depictions of Justice and other allegorical subjects, such as Daniel Chester French's Commerce and Jurisprudence, two massive limestone sculptures for the Howard M. Metzenbaum U.S. Courthouse in Cleveland, Ohio. The next major period of federal art patronage occurred under President Franklin Roosevelt's New Deal programs of the 1930s and early 1940s. During that era, artists often portrayed everyday scenes of America, its people, and its diverse landscape. One example is a painting by Peter Blume for the federal courthouse in Rome, Georgia. Titled The Two Rivers, it depicts a small town set in the rolling hills, its quaint buildings in the foreground contrast with the modern factory in the background.

Since the 1960s, the artworks commissioned for federal courthouses include a broader range of artistic media, subject matter and styles. Today, artists often work with new or nontraditional materials, such as electronic media or landscape elements like trees and crushed stone. While these artists, like their predecessors, continue to seek inspiration from the role of the federal judiciary, the beauty of regional landscapes, and diverse aspects of American culture, some have chosen to present their work in less literal, more abstract styles. A prime example of this is Leo Villareal's Sky for the Albert Armendariz, Sr. U.S. Courthouse in El Paso, Texas, which uses computer-programmed LEDs to evoke the brilliant, ever-changing sky of the American Southwest.

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1 to 20 of 20 artworks in this collection
Bicentennial Dawn
Louise Nevelson
Date: 1976
Medium: painted wood
Commerce
Daniel Chester French
Date: 1906-1912
Medium: limestone
Filippine Garden
Valerie Jaudon
Date: 2004
Medium: grass, trees, shrubs, stone dust pathways, Albany White stone, cast-iron benches
Flutter
Maya Lin
Date: 2005
Medium: sand, pea stone, custom soil mix and a variety of grasses
Gold Rush
Tom Otterness
Date: 1999
Medium: bronze
Hammond Courthouse Installation
Dale Chihuly
Date: 2002
Medium: glass
Hooloomooloo IV
Frank Stella
Date: 1994-2005
Medium: acrylic on canvas
Jurisprudence
Daniel Chester French
Date: 1906-1912
Medium: limestone
Justice
Diana Moore
Date: 1997
Medium: stainless steel
Metropolis
Seymour Fogel
Date: 1967
Medium: glass mosaic
Pioneers in Kansas
Ward Lockwood
Date: Between 1934 -1943
Medium: oil on canvas
Photo: Ed Massery
Mikyoung Kim
Date: 2004
Medium: fiber optics and glass
The Sentinels of Justice
Beverly Pepper
Date: 1998
Medium: cast iron
Sky
Leo Villareal
Date: 2010
Medium: computer controlled light-emitting diodes (LEDs)
The Spirit of Law
Xiaoze Xie
Date: 2006
Medium: oil on canvas
The Two Rivers
Peter Blume
Date: 1943
Medium: oil on canvas
Untitled
Al Held
Date: 2006
Medium: glass
Young American Man
Henry Kreis
Date: 1939
Medium: aluminum
Young American Woman
Henry Kreis
Date: 1939
Medium: aluminum
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